{"id":178378,"date":"2022-08-02T19:04:50","date_gmt":"2022-08-02T17:04:50","guid":{"rendered":"https:\/\/latouchemusicale.com\/?p=178378"},"modified":"2026-11-04T08:49:09","modified_gmt":"2026-11-04T07:49:09","slug":"fur-elise-ne-demek","status":"publish","type":"post","link":"https:\/\/latouchemusicale.com\/tr\/fur-elise-ne-demek\/","title":{"rendered":"F\u00fcr Elise: bu efsanevi eser hakk\u0131nda 4 anekdot"},"content":{"rendered":"\n

<\/a><\/p>\n\n

F\u00fcr Elise<\/em> ne demek?<\/h2>\n\n

La Lettre \u00e0<\/em>\u00a0Elise<\/em>, as\u0131l ad\u0131yla\u00a0F\u00fcr Elise<\/em>,\u00a0<\/em>1810’da Viyana’da piyanist ve besteci Ludwig van Beethoven taraf\u0131ndan bestelenmi\u015f bir klasik piyano eseridir. Bagatelle olarak s\u0131n\u0131fland\u0131r\u0131lan eser, ancak 1867’den itibaren, nota olarak yay\u0131mland\u0131\u011f\u0131 tarihten sonra ger\u00e7ekten tan\u0131nd\u0131.<\/p>\n\n

M\u00fczik 103 \u00f6l\u00e7\u00fcden olu\u015fur ve \u00e7al\u0131nma s\u00fcresi yakla\u015f\u0131k 3 dakikad\u0131r.<\/p>\n\n

F\u00fcr Elise<\/em>, bug\u00fcn t\u00fcm d\u00fcnyada en \u00fcnl\u00fc klasik piyano m\u00fczi\u011fidir. Tarih boyunca defalarca yorumlanm\u0131\u015f ve d\u00fczenlenmi\u015ftir.<\/p>\n\n

F\u00fcr Elise<\/em>‘i kim besteledi?<\/h2>\n\n

F\u00fcr Elise<\/em>‘in bestecisi, Alman virt\u00fc\u00f6z piyanist Ludwig van Beethoven’dir. Ya\u015farken \u00e7ok sayg\u0131n biriydi, \u00f6l\u00fcm\u00fcnden sonra ise daha da sayg\u0131n oldu. Bug\u00fcn Mozart, Schubert, Debussy ve Chopin ile birlikte d\u00fcnyan\u0131n en bilinen klasik m\u00fczik bestecilerinden biridir.<\/p>\n\n

\"ludwig
Ludwig van Beethoven: La Lettre \u00e0 Elise (F\u00fcr Elise)<\/em> eserinin bestecisi.<\/figcaption><\/figure>\n\n

Ludwig van Beethoven kimdir?<\/h2>\n\n

Beethoven, 1770’te Bonn \u015fehrinde do\u011fan Alman bir piyanist ve bestecidir.<\/p>\n\n

O da m\u00fczisyen olan babas\u0131, ona k\u00fc\u00e7\u00fck ya\u015f\u0131ndan itibaren m\u00fczik \u00f6\u011fretir. Gen\u00e7 Beethoven yetenekli g\u00f6r\u00fcn\u00fcr ve k\u0131sa s\u00fcrede ola\u011fan\u00fcst\u00fc bir m\u00fczisyen olur.<\/p>\n\n

27 ya\u015f\u0131nda Beethoven sa\u011f\u0131r olur. T\u00fcm senfonilerini, piyano par\u00e7alar\u0131n\u0131 ya da oda m\u00fcziklerini bu durumda onlar\u0131 duyamadan besteler. B\u00f6ylece Dokuzuncu Senfoni<\/em> ya da Missa solemnis<\/em> eserleri, yarat\u0131c\u0131lar\u0131n\u0131n sa\u011f\u0131rl\u0131\u011f\u0131 i\u00e7inde do\u011fmu\u015ftur.<\/p>\n\n

Beethoven, insanl\u0131\u011fa ola\u011fan\u00fcst\u00fc bir m\u00fczik \u00fcretimi miras b\u0131rakt\u0131ktan sonra 1827’de Viyana’da \u00f6l\u00fcr.<\/p>\n\n

Mozart ya da Haydn’dan sonra, Viyana klasisizmi ad\u0131 verilen ak\u0131m\u0131n son simgesidir ve besteleriyle romantizmin geli\u015fini haz\u0131rlayacakt\u0131r. Ayr\u0131ca t\u00fcm zamanlar\u0131n en \u00fcnl\u00fc piyanistlerinden<\/a> biri olarak da kabul edilir.<\/p>\n\n

Beethoven bu piyano par\u00e7as\u0131n\u0131\u00a0<\/em>neden yazd\u0131?<\/h2>\n\n

Beethoven’\u0131n F\u00fcr Elise<\/em>‘i ad\u0131ndan da anla\u015f\u0131ld\u0131\u011f\u0131 gibi Elise ad\u0131nda birini onurland\u0131rmak i\u00e7in yazd\u0131\u011f\u0131n\u0131 hep d\u00fc\u015f\u00fcnd\u00fck. Ama \u00e7evresinde Elise ad\u0131nda kimseden haberimiz yoktu. Ya Elise’den s\u00f6z eden kaynaklar yok olmu\u015ftu ya da Elise hi\u00e7 var olmam\u0131\u015ft\u0131\u2026 Ama bu konuyu, a\u015fa\u011f\u0131daki 4 klasik m\u00fczik anekdotunun birka\u00e7\u0131nda ele al\u0131yoruz!<\/p>\n\n

F\u00fcr Elise<\/em> m\u00fczi\u011fi hakk\u0131nda az bilinen 4 anekdot<\/h2>\n\n

1 \u2013 Th\u00e9r\u00e8se Malfatti’ye bir ithaf m\u0131?<\/h3>\n\n

Bu eserin ger\u00e7ek ithaf edileni konusunda birka\u00e7 varsay\u0131m ileri s\u00fcr\u00fcl\u00fcyor. Bunlardan ilki, m\u00fczi\u011fin ger\u00e7ek ad\u0131n\u0131n Th\u00e9r\u00e8se’e Mektup<\/em> olmas\u0131 gerekti\u011fini \u00f6ne s\u00fcrer! Bu m\u00fczik, Beethoven’a yak\u0131n Avusturyal\u0131 bir m\u00fczisyen olan Th\u00e9r\u00e8se Malfatti ad\u0131nda birine ithaf edilmi\u015f olurdu. Beethoven ona 1810’da (F\u00fcr Elise<\/em>‘in bestelendi\u011fi tarih) evlenme teklif etti ama kad\u0131n teklifini reddetti. Peki o zaman par\u00e7a neden F\u00fcr Elise<\/em> ad\u0131n\u0131 ta\u015f\u0131yor?<\/p>\n\n

\u00dcnl\u00fc Alman bestecinin \u00f6l\u00fcm\u00fcnden k\u0131sa s\u00fcre sonra, Ludwig Nohl ad\u0131nda bir m\u00fczikolog, Beethoven’\u0131n la min\u00f6r Bagatelle, WoO 59<\/em> adl\u0131 notas\u0131n\u0131 ke\u015ffetti. Onu okurken ba\u015fl\u0131ktaki t\u00fcm harfleri, \u00f6zellikle de ithaf edilen ki\u015finin ad\u0131n\u0131, iyi se\u00e7emedi\u011fini fark etti. Yine de ad\u0131n son iki harfini se\u00e7ebiliyordu: \u201cse\u201d. Bunun \u00fczerine ona keyfi bir \u015fekilde \u201cElise\u201d ad\u0131n\u0131 verme fikri akl\u0131na geldi.<\/p>\n\n

2 \u2013 Th\u00e9r\u00e8se de Brunswick’e bir ithaf m\u0131?<\/h3>\n\n

Ba\u015fka bir varsay\u0131m, pek \u00e7ok ipucunun bizi g\u00f6t\u00fcrd\u00fc\u011f\u00fc bu Th\u00e9r\u00e8se ad\u0131n\u0131n asl\u0131nda Th\u00e9r\u00e8se de Brunswick ad\u0131nda birini g\u00f6sterdi\u011fini \u00f6ne s\u00fcrer. Bu kad\u0131n Beethoven’\u0131n \u00f6\u011frencisi, ayn\u0131 zamanda sevgilisiydi. Ger\u00e7ekten de ikisinin 1806’dan 1808’e kadar iki y\u0131ldan uzun s\u00fcre bir a\u015fk ili\u015fkisi ya\u015fad\u0131\u011f\u0131 s\u00f6ylenir.<\/p>\n\n

Bestecinin par\u00e7alar\u0131ndan birini Th\u00e9r\u00e8se de Brunswick’e ithaf etmesi ilk kez olmazd\u0131. 1809’da zaten 24 numaral\u0131 fa diyez maj\u00f6r Piyano Sonat\u0131, Opus 78<\/em>‘i besteleyip Th\u00e9r\u00e8se’e ithaf etmi\u015fti. Bu nedenle F\u00fcr Elise<\/em> m\u00fczi\u011finin de bu gen\u00e7 kad\u0131na ithaf edilmi\u015f olmas\u0131 \u015fa\u015f\u0131rt\u0131c\u0131 olmazd\u0131.<\/p>\n\n

3 \u2013 Elisabeth R\u00f6ckel’e bir ithaf m\u0131?<\/h3>\n\n

Klaus Martin Kopitz taraf\u0131ndan ileri s\u00fcr\u00fclen, daha yeni olan \u00fc\u00e7\u00fcnc\u00fc bir varsay\u0131m, F\u00fcr Elise<\/em>‘in asl\u0131nda vaftiz ad\u0131 Maria Eva Elise olan Alman opera sanat\u00e7\u0131s\u0131 Elisabeth R\u00f6ckel’e bir ithaf oldu\u011funu \u00f6ne s\u00fcrer.<\/p>\n\n

Bu varsay\u0131m, iki ki\u015finin arkada\u015f\u00e7a, hatta daha fazla bir ili\u015fki y\u00fcr\u00fctt\u00fc\u011f\u00fc \u00f6l\u00e7\u00fcde (do\u011frulayamadan) makul g\u00f6r\u00fcn\u00fcyor. D\u00f6nemin bir kayna\u011f\u0131 da bu konuda ilgin\u00e7 bir anekdottan s\u00f6z eder: bir ak\u015fam yeme\u011finde Beethoven sevgi g\u00f6stergesi olarak Elisabeth’in kolunu \u00e7imdiklemi\u015f. Dolay\u0131s\u0131yla F\u00fcr Elise<\/em>‘in onun i\u00e7in yaz\u0131lm\u0131\u015f olmas\u0131 da m\u00fcmk\u00fcnd\u00fcr.<\/p>\n\n

4 \u2013 \u00d6l\u00fcm\u00fcnden sonra gelen \u00fcn<\/h3>\n\n

F\u00fcr Elise<\/em>, bestecisinin hayat\u0131 boyunca bilinmiyordu. Ger\u00e7ekten de daha \u00f6nce s\u00f6ylendi\u011fi gibi, bu par\u00e7ay\u0131 Beethoven’\u0131n e\u015fyalar\u0131 aras\u0131nda bulan bir m\u00fczikologdu. Bu ke\u015ffin ard\u0131ndan m\u00fczikolog, par\u00e7ay\u0131 Alman bestecinin \u00f6l\u00fcm\u00fcnden 40 y\u0131l sonra, 1867’de yay\u0131mlamaya karar verdi (Beethoven 1827’de \u00f6ld\u00fc). B\u00f6ylece t\u00fcm bu y\u0131llar boyunca F\u00fcr Elise<\/em> m\u00fczi\u011fi geni\u015f kitlelerce bilinmedi. Bu, par\u00e7an\u0131n yay\u0131mlan\u0131r yay\u0131mlanmaz oda m\u00fczi\u011finde ve salonlarda \u00e7ok b\u00fcy\u00fck bir ba\u015far\u0131 yakalamas\u0131na engel olmad\u0131. B\u00f6ylece tarihin en bilinen piyano par\u00e7alar\u0131ndan birinin \u00fcn\u00fc do\u011fdu. Bug\u00fcn h\u00e2l\u00e2 bu eser konservatuvar \u00f6\u011frencileri kadar konser sanat\u00e7\u0131lar\u0131 ve hatta kendi kendine \u00f6\u011frenen piyanistler taraf\u0131ndan da \u00e7al\u0131n\u0131yor.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00dcnl\u00fc besteci Beethoven’\u0131n F\u00fcr Elise’ini b\u00fcy\u00fck olas\u0131l\u0131kla tan\u0131yorsun. Peki bu eserle ilgili \u015fu 4 ilgin\u00e7 anekdotu da biliyor musun?<\/p>\n","protected":false},"author":3,"featured_media":178379,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"%%post_title%% %%sep%% %%sitetitle%%","_seopress_titles_desc":"\u00dcnl\u00fc besteci Beethoven'\u0131n F\u00fcr Elise'ini b\u00fcy\u00fck olas\u0131l\u0131kla tan\u0131yorsun. Peki bu eserle ilgili \u015fu 4 ilgin\u00e7 anekdotu da biliyor musun?","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"538","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"both","_seopress_redirections_param":"","_seopress_redirections_type":301,"_seopress_analysis_target_kw":"f\u00fcr elise ne demek","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"footnotes":""},"categories":[538],"tags":[542],"class_list":["post-178378","post","type-post","status-publish","format-standard","has-post-thumbnail","category-piyano-ve-piyanistler","tag-standart-makale"],"acf":[],"_links":{"self":[{"href":"https:\/\/latouchemusicale.com\/tr\/wp-json\/wp\/v2\/posts\/178378","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latouchemusicale.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latouchemusicale.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latouchemusicale.com\/tr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/latouchemusicale.com\/tr\/wp-json\/wp\/v2\/comments?post=178378"}],"version-history":[{"count":2,"href":"https:\/\/latouchemusicale.com\/tr\/wp-json\/wp\/v2\/posts\/178378\/revisions"}],"predecessor-version":[{"id":197013,"href":"https:\/\/latouchemusicale.com\/tr\/wp-json\/wp\/v2\/posts\/178378\/revisions\/197013"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/latouchemusicale.com\/tr\/wp-json\/wp\/v2\/media\/178379"}],"wp:attachment":[{"href":"https:\/\/latouchemusicale.com\/tr\/wp-json\/wp\/v2\/media?parent=178378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latouchemusicale.com\/tr\/wp-json\/wp\/v2\/categories?post=178378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latouchemusicale.com\/tr\/wp-json\/wp\/v2\/tags?post=178378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}